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Grover Washington Jr.: Time Out of Mind

 A l b u m   D e t a i l s


Label: Columbia Records
Released: 1989
Time:
 56:37
Category: Jazz
Producer(s): See Artists ...
Rating: *********. (9/10)
Media type: CD
Web address: www.groverwashingtonjr.com
Appears with:
Purchase date: 2000.05.04
Price in €: 7,99



 S o n g s ,   T r a c k s


[1] Jamaica (Foster) - 4:44
[2] Gramercy Park (DueWhite/McBride) - 3:57
[3] Sacred Kind of Love (McKinney/Porter/Rybar) - 5:42
[4] Brand New Age (Appel) - 5:22
[5] Fly Away (DeLange) - 5:33
[6] Don't Take Your Love from Me (Stovall) - 4:29
[7] Time out of Mind (Becker/Fagen) - 5:06
[8] Split Second (Act II, the Bar Scene) (Washington) - 4:30
[9] Nice-N-Easy (Robinson) - 6:04
[10] Unspoken Love (Veasley) - 5:11
[11] Protect the Dream (Washington) - 5:59

 A r t i s t s ,   P e r s o n n e l


Grover Washington, Jr. - Alto, Soprano & Tenor Saxophone, Producer

Phyllis Hyman - Vocals
Ronnie Foster - Multi Instruments
Gerald Veasley - Synthesizer, Bass
Randy Bowland - Guitar
Daryl Burgee - Percussion
Dr. Gibbs - Conga
Miguel Fuentes - Percussion, Conga
Spencer Harrison - Background Vocals
Paula Holloway - Background Vocals
Bill Jolly - Synthesizer, Arranger, Keyboards, Electric Piano
Donald Robinson - Keyboards, Producer
Jim Salamone - Synthesizer, Percussion, Drums, Keyboards, Programming
Richard Lee Steacker - Guitar
Darryl Washington - Drums
Philip Woo - Synthesizer, Keyboards
Sid Simmons - Keyboards

Peter Humphreys - Engineer

 C o m m e n t s ,   N o t e s


One of the most electrified of Grover Washington Jr.'s albums, this Columbia set features the popular saxophonist (who plays soprano, alto and tenor) joined by oversized rhythm sections and plenty of keyboards on a variety of funky and danceable material. Not one of Washington's more essential releases (his Columbias overall have not been that memorable), the pacesetter among r&bish saxmen is actually in fine form; if only the material were better.

Scott Yanow, All-Music Guide
 

 L y r i c s


Instrumental!

 M P 3   S a m p l e s


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